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Canon® EOS 5D Mark II Digital Field Guide 坛子里找了一下
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Canon EOS 5D Mark II Digital Field Guide.pdf
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书的一些数据贴如下: Canon® EOS 5D Mark II Digital Field Guide Published by Wiley Publishing, Inc.
2009 by Wiley Publishing, Inc., Indianapolis, Indiana ISBN: 978-0-470-46714-5 About the Author Brian McLernon is a commercial freelance photographerbased in Portland, Oregon. Originally from New Jersey and educated in Arizona, Philadelphia, and New York City,he moved to Portlandin 1996. He shoots primarily for editorial, commercial, corporate, and lifestyle— such as locations, portraits, products, travel, public relations, weddings,highschool seniors, artworks, sports, special events, and more — capturingmoments and telling visual stories. A partial list of Brian’s clients include: Albertson’s, Bristol-Myers Squibb, CaldwellCollege, CBS Records, Coates & Clark, Danskin, EC Company, EllingtonLeather, Exxon, Johnson & Johnson, The Lawrenceville School, Lionel TrainsLLC, Manos del Uruguay, Manufacturers Hanover, McCarter Theatre, McNeil Pharmaceuticals,Mid-Atlantic Country magazine, Midnight Sun Productions, New Jersey Outdoorsmagazine, Nike, Paragon Tile & Stone, Pfizer Pharmaceuticals, PlattElectric, Premiere Homes magazine, Sierra Club, Sprint, Tower Records, TraegerGrills, the United States Tennis Association, and Weldotron. Brian has oftenbeen a guest speaker for several artistic associations, communication groups, andbusiness organizations and always enjoys speaking to student groups. When he’snot photographing in the studio or on location, Brian spends time with his wifeand daughter, family and friends, camping, traveling, whitewater rafting,cross-country and downhill skiing, and, of course, photographing nature and allkinds of motorsports. In his spare time, Brian enjoys doing SEO on his Web site and writing blogs about photography. Thisis his first book for Wiley. Contents Introduction xx C HA P T E R 1 1 Anatomy of the Canon 5D Mark II Exploring the 5D Mark II . . . . . . . . .. . . . . . . . . 2 Camera Controls . . . . . . . . . . . . . .. . . . . . . . . . 2 Top camera controls . . . . . . . . . . . .. . . . . . 4 Rear camera controls . . . . . . . . . . .. . . . . . . 5 Front camera controls . . . . . . . . . . .. . . . . . 8 Camera Terminals . . . . . . . . . . . . .. . . . . . . . . 10 Side and Bottom Features . . . . . . . . .. . . . . . . 11 Lens Controls . . . . . . . . . . . . . . .. . . . . . . . . . 12 Viewfinder Display . . . . . . . . . . . .. . . . . . . . . . 13 Live View Display. . . . . . . . . . . . .. . . . . . . . . . 15 Canon CMOS Sensor . . . . . . . . . . . . .. . . . . . . 15 DiG!C 4 Image Processor. . . . . . . . . . .. . . . . . 16 C HA P T E R 2 Using the 5D Mark II Menus Camera Menus . . . . . . . . . . . . . . .. . . . . . . . . Quick Control screen . . . . . . . . . . .. . . . . . Shooting 1 menu . . . . . . . . . . . . . .. . . . . . Peripheral Illumination Correction . . . .. . . . Shooting 2 menu . . . . . . . . . . . . . .. . . . . . Dust Delete Data . . . . . . . . . . . . .. . . . . . . Playback 1 menu . . . . . . . . . . . . . .. . . . . . Erase images . . . . . . . . . . . . . . .. . . . . . . . Playback 2 menu . . . . . . . . . . . . . .. . . . . . Set-up 1 menu . . . . . . . . . . . . . . .. . . . . . . Auto rotate . . . . . . . . . . . . . . . .. . . . . . . . . Set-up 2 menu . . . . . . . . . . . . . . .. . . . . . . LCD brightness. . . . . . . . . . . . . . .. . . . . . . Live View/Movie function setting . . . . .. . . . Set-up 3 menu . . . . . . . . . . . . . . .. . . . . . . Battery information . . . . . . . . . . . . . . . . . . . External Speedlite control . . . . . . . .. . . . . . Custom Functions menu . . . . . . . . . . .. . . My Menu settings . . . . . . . . . . . . .. . . . . . . CH APT ER 3 Choosing Settings on the 5D Mark II Setting the Date and Time . . . . . . . . .. . . . . . . Creating Folders on the CF Card . . . . . .. . . . . Setting File-Numbering . . . . . . . . . .. . . . . . . Choosing the File Format and Quality . . .. . . . JPEG capture . . . . . . . . . . . . . . .. . . . . . . . RAW capture . . . . . . . . . . . . . . . .. . . . . . . sRAW1 and sRAW 2 capture . . . . . . . . .. . Choosing an Exposure Mode . . . . . . . . .. . . . . Full Auto . . . . . . . . . . . . . . . . .. . . . . . . . . Program AE . . . . . . . . . . . . . . . .. . . . . . . . Shutter Priority AE . . . . . . . . . . . .. . . . . . . Aperture Priority AE . . . . . . . . . . .. . . . . . . Manual . . . . . . . . . . . . . . . . . .. . . . . . . . . Bulb. . . . . . . . . . . . . . . . . . . .. . . . . . . . . . C1, C2, and C3 modes . . . . . . . . . . .. . . . . Creative Auto mode . . . . . . . . . . . .. . . . . . Autofocus and selecting Autofocus modes. .. Improving autofocus accuracy and performance . . . . . . . . . . . . . .. . . . AF-ON button. . . . . . . . . . . . . . . .. . . . . . . Modifying Exposure . . . . . . . . . . . .. . . . . . . . . Autoexposure Lock . . . . . . . . . . . . .. . . . . . Autoexposure Bracketing . . . . . . . . . .. . . . Exposure compensation . . . . . . . . . . .. . . . Selecting a Metering Mode . . . . . . . . .. . . . . . Evaluating the 5D Mark II’s dynamic range . . . . . . . . . . . . . . .. . . . Evaluating exposure . . . . . . . . . . . .. . . . . . Brightness histogram . . . . . . . . . . .. . . . RGB histogram . . . . . . . . . . . . . . .. . . . Setting the ISO . . . . . . . . . . . . . .. . . . . . . . . . Auto ISO . . . . . . . . . . . . . . . . .. . . . . . . . . ISO range, expansion, and Custom Function options . . . . . . . . . . . . .. . . . . Setting the ISO and extended range ISO . .. Selecting a Drive Mode . . . . . . . . . .. . . . . . . . Single Shot mode . . . . . . . . . . . . .. . . . . . . Continuous mode . . . . . . . . . . . . . .. . . . . . Self-timer modes . . . . . . . . . . . . .. . . . . . . Viewing and Playing Back Images . . . . . .. . . . Playback display options . . . . . . . . .. . . . . Jumping quickly among images . . . . . . .. . Index display . . . . . . . . . . . . . . .. . . . . . . . Slide show . . . . . . . . . . . . . . . .. . . . . . . . . Erasing Images . . . . . . . . . . . . . .. . . . . . . . . . Protecting Images . . . . . . . . . . . . .. . . . . . . . . Restoring the Camera’s Default Settings . .. . . C HA P T E R 4 Color and Picture Styles Learning about Color Spaces . . . . . . . .. . . . . . Choosing a Color Space. . . . . . . . . . .. . . . . . . Understanding and Setting the White Balance. . . What does white balance do? . . . . . . . .. . . Choosing a white balance approach . . . . .. Setting a custom white balance . . . . . .. . . Setting a white balance shift . . . . . . .. . . . . Specifying a color temperature . . . . . .. . . . Using white balance autobracketing . . . .. . Choosing and Customizing a Picture Style .. . . Registering a User-Defined Picture Style .. . . . C HA P T E R 5 Customizing the Canon 5D Mark II Exploring Custom Functions . . . . . . . .. . . . . . C.Fn I: Exposure . . . . . . . . . . . . .. . . . . . . . . . C.Fn I-01: Exposure level increments . . .. . C.Fn I-02: ISO speed setting increments . .. C.Fn I-03: ISO expansion . . . . . . . . .. . . . . C.Fn I-04: Bracketing auto cancel . . . . .. . C.Fn I-05: Bracketing sequence . . . . . .. . . C.Fn I-06: Safety shift . . . . . . . . . .. . . . . . . C.Fn I-07: Flash sync speed in Av mode . .. C.Fn II: Image . . . . . . . . . . . . . .. . . . . . . . . . . C.Fn II-01: Long exposure noise reduction .. . C.Fn II-02: High ISO speed noise reduction. . . . . . . . . . . . . . . . .. . . . . . . C.Fn II-03: Highlight tone priority . . . .. . . . C.Fn II-04: Auto Lighting Optimizer . . . .. . . C.Fn III: Autofocus/Drive . . . . . . . . .. . . . . . . . C.Fn III-01: Lens drive when AF impossible C.Fn III-02: Lens AF stop button function. . . . . . . . . . . . . . . . . .. . . . . . . C.Fn III-03: AF point selection method . .. . C.Fn III-04: Superimposed display . . . . .. . C.Fn III-05: AF-assist beam firing . . . .. . . . C.Fn III-06: Mirror lockup . . . . . . . .. . . . . . 94 C.Fn III-07: AF point area expansion. . . .. . 94 C.Fn III-08: AF Microadjustment. . . . . .. . . 95 C.Fn IV: Operation/Others . . . . . . . . .. . . . . . . 95 C.Fn IV-01: Shutter/AF-ON button . . . . .. . 95 C.Fn IV-02: AF-ON/AE lock button switch. .. 96 C.Fn IV-03: Assign SET button . . . . . . .. . . 96 C.Fn IV-04: Dial direction during Tv/Av . .. . 97 C.Fn IV-05: Focusing Screen . . . . . . . .. . . 97 C.Fn IV-06: Add original decision data . .. . 97 Clear all Custom Functions . . . . . . . .. . . . . 98 Sample Customizations . . . . . . . . . . .. . . . . . . 98 Registering Camera Settings . . . . . . . .. . . . . 100 CH APT ER 6 Selecting and Using Canon Lenses 103 Understanding Canon Lenses . . . . . . . .. . . . EF lens mount . . . . . . . . . . . . . . .. . . . . . Ultrasonic Motor. . . . . . . . . . . . . .. . . . . . L-series lenses . . . . . . . . . . . . . .. . . . . . . Image Stabilization . . . . . . . . . . . .. . . . . . Macro . . . . . . . . . . . . . . . . . . .. . . . . . . . Full-time manual focusing . . . . . . . . .. . . Inner and rear focusing . . . . . . . . . .. . . . Floating system . . . . . . . . . . . . . .. . . . . . AF Stop button . . . . . . . . . . . . . .. . . . . . . Focus preset . . . . . . . . . . . . . . .. . . . . . . Diffractive Optics . . . . . . . . . . . .. . . . . . . Prime versus Zoom Lenses . . . . . . . . .. . . . . Single-focal-length lenses . . . . . . . .. . . . Zoom lenses. . . . . . . . . . . . . . . .. . . . . . . Zoom lens advantages . . . . . . . . . . .. . Zoom lens disadvantages . . . . . . . . . . Using Wide-Angle Lenses . . . . . . . . . .. . . . . Using Telephoto Lenses . . . . . . . . . .. . . . . . Using NormalLenses . . . . . . . . . . . . . . . . . . Using Macro Lenses . . . . . . . . . . . .. . . . . . . Using Tilt/Shift Lenses . . . . . . . . . .. . . . . . . . Using a Lensbaby . . . . . . . . . . . . .. . . . . . . . Using Image-Stabilized Lenses . . . . . . .. . . . Exploring Lens Accessories . . . . . . . .. . . . . . Extending the range lenses with extenders . . . . . . . . . . . . . . . . .. . . . . Increasing magnification with extension tubes and close-up lenses . . . C HA P T E R 7 Working with Canon EX-series Speedlites 123 Exploring E-TTL Technology . . . . . . . .. . . . . Choosing a Canon EX-series Speedlite . . .. . . Evaluating 5D Mark II–compatible Speedlites . . . . . . . . . . . . . . . .. . . . . . Canon Speedlite Transmitter ST-E2 . . . . . Using Speedlites . . . . . . . . . . . . .. . . . . . . . . Front and Rear Curtain Sync . . . . . . . .. . Flash Exposure Compensation . . . . . . . .. Flash Exposure Bracketing . . . . . . . . .. . Flash Exposure Lock . . . . . . . . . . . .. . . . High-speed sync . . . . . . . . . . . . . .. . . . . Flash Techniques in the Field . . . . . . .. . . . . Balancing ambient and flash lighting . . .. Speedlite light modifiers and umbrellas. .. Using a Speedlite as a secondary light . .. Working with multiple wireless flash setups . . . . . . . . . . . . . . .. . . . . . Balancing lighting extremes . . . . . . . .. . . C HA P T E R 8 Shooting Video with the 5D Mark II Preparing to Shoot Video . . . . . . . . .. . . . . . . High-Definition Video . . . . . . . . . . .. . . . . . . Resolution and frame rate . . . . . . . . .. . . Maximum file size and runtime . . . . . . .. . Using Live View . . . . . . . . . . . . . .. . . . . . . . . LCD monitor light sensor . . . . . . . . .. . . . Live mode . . . . . . . . . . . . . . . . .. . . . . . . Live Face Detection mode . . . . . . . . .. . . Quick mode . . . . . . . . . . . . . . . .. . . . . . . Grid display . . . . . . . . . . . . . . .. . . . . . . . Silent Shooting modes 1 and 2 . . . . . . .. . HDMI Output . . . . . . . . . . . . . . . .. . . . . . . . MOV Format and MPEG-4 Video Compression. . . . . . . . . . . . .. . . . . Steadicams . . . . . . . . . . . . . . . .. . . . . . . . . . Sound Recording . . . . . . . . . . . . . .. . . . . . . Onboard mono microphone . . . . . . . . . .. External stereo input. . . . . . . . . . .. . . . . . Selecting audio devices . . . . . . . . . .. . . . Mixing Video and Sound . . . . . . . . . .. . . . . . 151 Lighting for High-Definition Video . . . .. . . . . 152 Shooting High-Definition Video in Lowlight. . . 154 CH APT ER 9 Sports, Concert, and Event Photography 155 Overview and Trends. . . . . . . . . . . .. . . . . . . Inspiration and Creative Resources . . . .. . . . Packing Your Gear Bag . . . . . . . . . . .. . . . . . Shooting Sports . . . . . . . . . . . . . .. . . . . . . . . Shooting Concerts . . . . . . . . . . . . .. . . . . . . . Shooting Events . . . . . . . . . . . . . .. . . . . . . . Practical Professional Advice . . . . . . .. . . . . . CH APT ER 10 Landscape, Nature, and Travel Photography 169 Overview and Trends. . . . . . . . . . . .. . . . . . . Inspiration and Creative Resources . . . .. . . . Packing Your Gear Bag . . . . . . . . . . .. . . . . . Shooting Nature, Landscape, and Travel Images . . . . . . . . . . . . .. . . . . Using natural light . . . . . . . . . . . .. . . . . . Predawn and sunrise . . . . . . . . . . . .. Early morning to midday . . . . . . . . . .. Sunset, twilight, and dusk . . . . . . . .. . Diffused light . . . . . . . . . . . . . .. . . . . Exposure techniques for atypical scenes . .. Shooting in lowlight . . . . . . . . . . .. . . . . . Practical Professional Advice . . . . . . .. . . . . . CH APT ER 11 Portrait Photography Overview and Trends. . . . . . . . . . . .. . . . . . . Inspiration and Creative Resources . . . .. . . . Packing Your Gear Bag . . . . . . . . . . .. . . . . . Shooting Portraits . . . . . . . . . . . .. . . . . . . . . Taking outdoor portraits . . . . . . . . .. . . . . Getting the best color . . . . . . . . . .. . . Use C modes. . . . . . . . . . . . . . . .. . . . Taking indoor portraits . . . . . . . . . .. . . . . Window light . . . . . . . . . . . . . . .. . . . . Ambient interior and mixed light . . . . . Studio lighting . . . . . . . . . . . . . .. . . . . Practical Pro Advice . . . . . . . . . . .. . . . . . . . C HA P T E R 1 2 Stock and Editorial Photography 203 Overview and Trends. . . . . . . . . . . .. . . . . . . Inspiration and Creative Resources . . . .. . . . Packing Your Gear Bag . . . . . . . . . . .. . . . . . Shooting Stock and Editorial Images . . . .. . . Practical Pro Advice . . . . . . . . . . .. . . . . . . . C HA P T E R 1 3 Wedding Photography Overview and Trends. . . . . . . . . . . .. . . . . . . Marketing. . . . . . . . . . . . . . . . .. . . . . . . . Presentation . . . . . . . . . . . . . . .. . . . . . . . Inspiration and Creative Resources . . . .. . . . Slideshows and DVDs . . . . . . . . . . . .. . . . Printed and bound albums . . . . . . . . .. . . Packing Your Gear Bag . . . . . . . . . . .. . . . . . Shooting Weddings . . . . . . . . . . . . .. . . . . . . Getting ready . . . . . . . . . . . . . . .. . . . . . . Capturing the ceremony . . . . . . . . . .. . . . After the Ceremony . . . . . . . . . . . .. . . . . Details . . . . . . . . . . . . . . . . . .. . . . . . . Portraits . . . . . . . . . . . . . . . . .. . . . . . The reception . . . . . . . . . . . . . . .. . . . Professional Advice for Shooting Weddings.. . A P P E ND IX A Maintenance Tips for Your 5D Mark II Canon Digital Photo Professional . . . . .. . . . . EOS Utility. . . . . . . . . . . . . . . .. . . . . . . . . . . Updating the 5D Mark II Firmware . . . . .. . . Cleaning the CMOS Sensor . . . . . . . . .. . . . . Automatic Sensor Cleaning mode . . . . . .. Dust Delete Data . . . . . . . . . . . . .. . . . . . Manual cleaning. . . . . . . . . . . . . .. . . . . . Testing for dust . . . . . . . . . . . . .. . . . . Using the dry method . . . . . . . . . . .. . Using the wet method . . . . . . . . . . .. . Having a clean workflow . . . . . . . . . .. APPEND I X B 240 5D Mark II Specifications Glossary 246 Index 253 | 
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发表于 2011-4-5 15:02:43
